What Mythology Is Next for God of War?
Kratos and Atreus are primed for further god-slaying adventures now that the Norse Saga has come to an end. Fortunately, many other mythologies can serve as the backdrop for future battles.
Do you know Mythology Is Next for God of War? The most vengeful god of ancient Greece was going to travel across Loki, Odin, and Thor’s territories, spectators were shocked to learn as Sony’s Santa Monica Studio revealed a new God of War game during E3 2016. God of War, the new franchise instalment, was a canonical continuation of God of War III and acted as a spiritual reset. The personal tale centred on Kratos’s struggle to put his violent past behind him in order to be the greatest father he can be to his son Atreus.
The two-part Norse Saga was concluded with the eagerly anticipated sequel, God of War Ragnarok, which arrived late last year (Opens in a new window). It’s safe to assume that Sony Santa Monica won’t let this franchise go dormant for very long given that this most recent instalment was PlayStation’s fastest-selling game(Opens in a new window).
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So, as we go from the icy beaches of Nordic tradition, we must ask a crucial question: Which mythology will God of War explore next? We have some theories, but proceed with caution—spoilers for Ragnarok will be provided.
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Do Tyr’s Tapestries Hint at Future God of War Games?
Kratos and Atreus discover numerous tapestries that illustrate diverse tales from Norse mythology in the 2018 film God of War. This contextual storytelling offers the folks that the divine pair later encounter in their excursions scary backstory information in addition to fleshing out the setting.
Two tapestries show Tyr, the Norse god of war, interacting with several groups of people. A group of Greeks are shown receiving a device from Tyr in one of those tapestries, and three boxes(Opens in a new window) to the south of that depict iconography from the Aztec, Egyptian, and Japanese cultures, respectively.
Another tapestry depicts Tyr clutching the unification stone while encircled by the following four symbols: the Triskelion (Celtic), the Eye of Ra (Egyptian), the Omega (Greek), and a Hidari Gomon (Japanese Shinto). They are representatives of polytheistic religions, which have separate war gods.
Nothing further was said about these tapestries or what Tyr was doing in Greece in God of War Ragnarok. Even so, we can make certain assumptions about the series’ future based on those photos.
Kratos vs. the Aztec Gods
Aztec mythology presents a number of creation myths as opposed to only one. The Aztec origin tale The Legend of the Suns describes the gods’ numerous unsuccessful attempts to create the world as we know it. In accordance with this myth, the gods create the world, quarrel over who gets to be the sun, and then destroy it. Rinse and repeat until the gods are forced to make a blood sacrifice to the fifth and final sun, which is the age we are currently in.
Throughout these many eras, a tonne of other interesting folkloric events take place. For instance, the earth was produced from the body of a gigantic fish the gods called Cipactli during the creation of the first sun. Another race of giants existed who were powerful enough to uproot trees from the ground. The surviving people evolved into the new creatures at the end of each age. The lesson of the Legend of the Suns is that the gods must cooperate and that the world they have been attempting to build for countless years can only blossom through their sacrifice.
If Santa Monica Studio based the upcoming God of War game on these creation tales, there is potential for massive boss fights and vast locations. The world tree might be uprooted by the Aztec giants, upsetting the balance in the Nine Realms. If a new terrible fate threatens his newly discovered people, that might be the only way to persuade Kratos to leave his position as a charitable god. Alternately, Kratos and Atreus might be forced to live through one of the Aztec gods’ botched efforts to create the world.
On Tyr’s tapestry, a blue and red bird is perched atop a pyramid. This most likely depicts Huitzilopochtli, the Aztec god of war and the hummingbird of the south. Bloodletting and ceremonial sacrifice are important offerings for Huitzilopochtli. It’s difficult to predict what function Huitzilopochtli might have in the future.
Kratos vs. the Celtic Gods
Numerous figures from Celtic mythology would make fantastic God of War antagonists. For instance, a race of gods known as the Tuatha De Danann is descended from the Mother Goddess Danu. A video game designer’s fantasy gods are these.
The Dagda, a tall, bearded man with a hooded cloak, is their druid chieftain and father figure. He is carrying a magic staff that has a deadly end and a life-giving end. The goddess of fate, death, and destiny known as the Morrigan (also known as the Phantom Queen), is his wife. The Morrigan helps warriors on the battlefield because she can predict the future (and knows when the world is going to end).
Lugh of the Long Arm, the god of nobles, wields a variety of video game-like weaponry. His spear transforms into lightning and follows two commands: one to kill its foe and the other to deliver the weapon back to his hand. Additionally, he carries a sword that compels others to reveal the truth. Lugh also possesses a slingshot without any magical abilities, although he killed the supernatural Fomorians chieftain Balor with it (a set of evil, magical beings).
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The logical step after Celtic mythology for God of War might be. Another European mythos that resembles the Norse pantheon is this one. In actuality, Mimir from God of War is a canonical Celt. It would make sense for Kratos to travel to ancient Ireland with this in mind.